Just A Thought

  The final decision made by the MC comes directly from the LIFE lesson he (/she) has just learned ... and hence the theme.

The Wettest June in History

  Is there such a thing as too much preparation? Outline, re-outline, re-re-outline ...

Got my theme? Check

Got my plot? Check

Got my characters? Internal, external, what they did the last fifty years, where they were what they want, what bloody brand of cotton buds they clean their friggin' ears with ... nah, I sound like I hate them now. I don't! I like them, they're not all bright but they're good people. Except for that guy Gino, and that Mrs Wilkes. And Mrs Bagnato too.

I've realised after outlining, re-outlining, re-re-outlining that I had a lot of powerful women in this story, powerful over men they are. Does that mean something about me? I don't want to overpower men. I don't care about overpowering men, empowering myself is all I want! (damn that sounds cheesy).

Anyway the MC's a man and although he's not really strong at the beginning, he does empower himself as the story progresses. Which is the point. Hope it will balance all these weak men and nasty women. Sorry men.

Since there's no hitman anymore, then, I have changed the title to The Wettest June in History ... subject to change, it is still early.

A story of asthma, drug money and murders ... and a lot of rain.

I know all that, you now know that, so what am I waiting for?! Open that Movie Magic, woman!
PS: today's picture is that of little statuettes, of course. The least I can do to show my dedication to putting my foot in the industry's door ...

  I am pleased to report that yesterday's to-do list was duly completed. Except for the 5 pages. Not that I haven't done any work on the script, but instead I have tightened up my outline. I had left it simmering for over a week, and my MC (main character)'s motivation wasn't clear enough. His background is now more polished, he's grown younger and I think it works better. Oh and there's no more hitman mistaken identity story here so I guess I need to find an alternative title for it.

  I watched Scorpion yesterday. I can't say it blew me away. The story is unoriginal and not even well written. I didn't believe in either of the love stories and the bad boys didn't strike me as particularly scary, which made for a completely unemotional journey. To understand the importance of emotions in a screenplay I recommend Karl Iglesias'  Writing For Emotional Impact; it's also got some invaluable tips on how to make the reader feel and care for the characters and story.  The film wasn't all bad though. The soundtrack is what pushed it forward, supporting the MC's strive to fight his way out of his hole and sort himself out. Although I rolled my eyes at most of the dialogues, one bit has stuck into my mind (my translation):

LÉA: Why do you ignore me?
ANGELO: I don't ignore you. I don't see you.

Finally, attention to details. The MC's nickname is Scorpion. He's a sweaty muscular fighter and he's got that ridiculous little lion's head tattooed on his arm. Not even one with a big royal mane. What I would have liked to see, if he had to have a tattoo, is a big Scorpion one, preferably the design seen at the beginning and on the poster. I'm just saying.